Playing with watercolor paints and water on paper has been peaceful and soothing lately which we could all use more of in these wacky times. I'm enjoying a technique of watercolor painting that I learned from my Saint Olaf College art professor, Wendell Arneson. I'd been using watercolors more like acrylics before his class. I wasn't really using their special affinity to water. The paint will only go where there is water. Paint will float around in a puddle mixing colors in interesting ways similar to creating marbling patterns.
I start by tracing circles because I seem to have a circle obsession lately. Then I either wet a circle or create a puddle of water in a circle. Next step is to get your paint brush wet and full of a color from the paint palette and then lightly drop the color into your wet circle. Watch the color spread. Add more of the same color or more water if you like.
Then move on to another color and drop it into another spot. Keep repeating until you have added a few colors. Key point is to know when to stop before the painting gets too muddy. Doing specific color studies with just a few colors helps to keep from going overboard.
From Wendell's Color Design class, we learned to study colors found in other artworks, magazines, or just about anything. For my color play, I have been experimenting with the color combinations in Carter Smith's shibori fabrics. A photograph of one of his dyed silk scraps is on the right below although my photo does not do the colors in the fabric justice. (That's what I get for taking a photograph at night under yellowy light bulbs.)
Aside from knowing when to stop, the only hard part is waiting for the paintings to dry to see what happens. Try it. It's fun and the worst that can happen is your paintings will turn to mud. Just remember color theory - opposite colors mixed together make dulled tones and browns depending on how much of each you use. In the event that you didn't get to take Wendell's class or another color design class, the opposites on a color wheel are yellow/purple, blue/orange, and red/green. Mixing the three primary colors (red, yellow, blue) can also result in mud so you may prefer to avoid those combinations at least at first. Just plop the colors in gently and let them do their thing.
And for extra fun, here's a cute robot drawing by my 5 year old, Tyler, who just started virtual school. All teachers out there dealing with COVID - you are wonderful! Thank you for all you do! (Any software developers out there - please, please, please design easy to use software for teachers to use to teach effectively on-line without incessant bugs.)
Best wishes and stay safe,
I ended my last blog post with a picture of my latest artwork, "Sanctuary" and a promise to tell the full story in my next post. Today I'll keep that promise.
Here's a picture of the piece as I began to bring an idea to fruition.
One of the things I had to figure out was how to make sure that it would stand up. I didn't want to make the sides too stiff. I didn't want to totally lose the softness and comfortable feel of a quilt. I also knew I'd want to be able to stitch through the walls to add words and other decorative elements. Luckily, I've had several old wooden bobbins salvaged from a Lowell, Mass. cotton mill sitting on my shelf for years. It occurred to me that they could function as corner pillars/trees/trellises to hold up the sides.
So with this much figured out, I began to make the sides.
I created each side separately and then added strips at the corner. For the outside walls I used my pieced browns and greens to suggest a humble abode that would blend in with its surroundings. I put a flannel backing behind the pieced fabrics to give some body to them and stitched phrases on each side about my house and home...like "Mi Casa es Su Casa" over the front door and "You are always welcome here" on another side.
I knew I was going to leave the door and windows open in my house. When you looked inside I wanted it to be very bright and cheery and welcoming. So I used a bright floral batik for the inside walls and floor. I stenciled more flowers on the fabric and embroidered more words of welcome all over the walls and floor. (See picture a little lower.)
To hold the outside and inside walls together, I outlined the windows and door with a stem stitch through all the layers. I used some of my Stef Francis hand-dyed perle cotton to make it look decorative. Once that stitching was done, I cut out the windows and three sides of the door. After putting in the floor, I added tabs with snaps to the top and bottom of each wall corner to attach the walls to the 4 pillars.
Then it was time to figure out the roof. I had the basic shape figured out, but wasn't sure how to make it stiff enough to stand up properly. Again, I had to allow for stitching on it. I had more words and phrases to add. For a second time, some of the supplies I've had on hand for years came to my rescue. This time it was mulberry bark (also from Stef Francis).
The mulberry bark is stiff, but can still be stitched through. And as you can see from the picture, the structure of the fibers allows you to stretch them apart. By stretching the bottom part more than the top I could just about cover each side of the roof with one piece. Besides having practical advantages, I liked the look of it. To me it suggested a little house in the tropics or an English thatched cottage so it was in keeping with my metaphor.
To attach the mulberry bark to the fabric layer, I again used my Stef Francis perle cotton in a fly stitch and more words. I hoped that the mulberry bark alone would give sufficient structure to hold the roof up, but as you can see in the left picture below, it sagged. I ended up adding a support layer constructed from a stiff nonwoven interfacing. That worked out much better (picture on the right.)
With the basic structure done, I was ready for the final decorations. I had already stenciled trees and bushes with embroidered leaves on some of the sides. I added more "bushes" by fusing on skeleton leaves in some places. Then I decorated the side pillars/trees with stenciled vines and finished up with wires and beads to suggest wisteria in the front.
When I was nearly done with it and was setting it up to take some photos, I discovered something that I really didn't like. The inside of the house was really dark. It definitely was not projecting the warm welcoming look that I wanted so I realized that I needed to light up the inside somehow. I decided to use those little battery-operated LED tea lights, but had a heck of a time to figure out how and where to attached them. You can see my first idea - and the inside walls in the photo below.
Attaching them to the pillars proved too difficult. I ended up putting little pieces of velcro on the bottoms of the lights and along the inside of the ridge-line of the roof. I wish they lit it up more, but that's a problem for the future.
Sanctuary is not high art, but I sure had fun and learned a lot in the process of making it. I hope it will bring a smile to those who see it. Right now it's on display at the Stryker Center in downtown Williamsburg as part of the Williamsburg 2020 Community Art Project where it will be through the end of October. Stop by if you are in the area. It's right below the digital sign that displays a changing selection of poems written by Williamsburg area residents while at home during the pandemic.
Our family has never believed the adage "You can't teach an old dog new tricks." My bricklayer father was over 60 when he learned how to build Finnish masonry heaters. These fireplaces are not only beautiful, but they allow you to heat your home with wood very efficiently and without polluting the air. He traveled the country building them for various clients and did such beautiful work that one of his fireplaces was featured prominently on the website for the Masonry Heaters Association at that time. He and my mother instilled that love of learning and trying new things in all of us.
I bring this up because I'm finding that the Covid-19 pandemic is pushing me in new directions regularly. I'm grateful to my parents for having brought me up to embrace these things as opportunities, not bemoan the need for change.
The most recent instance came in an email on Monday. This year's Occasion for the Arts - Williamsburg's biggest annual art fair - has been postponed until October 2021, but they have decided to try a virtual fair this year. Among the things they are recommending that participating artists provide are a short video about themselves or their work and links for live Zoom sessions to be held during the festival. So I will be spending time during the next couple of weeks to figure out the content and exactly how I will produce my video, plus the logistics for setting up my own Zoom account and meetings. This opportunity has made me think hard about how I can use these tools in other ways once I learn them. Without this kick in the pants, I know I'd have just gone on with business as usual.
I'll keep you posted as I figure this out.
In my last post I told you about the new collaborative art project that Sonja and I have started with my sister, Sue Gilleland. I wanted to bring you up to date on that. We are currently on our third round and going strong. It is so exciting to see what the others add to your base. It's almost always something you never would have thought of yourself. (It's also fun to get "real" mail once in a while too.)
The six works that comprised our first round are totally finished. Sonja and I mounted them on canvases and submitted them for the OurTown2020 exhibit curated by the Williamsburg Regional Library. They will soon be on exhibit at the Stryker Center next door to the library. I will post the details on our Events & Venues page when I have them. In the meanwhile, here's a preview.
Just a quick reminder - in each case the central image is 6" x 8" and the finished size is 8" x 10". There will be more to come on this project.
Finally, here's a quick look at the latest work I completed on my own. It will also be part of the OurTown2020 exhibit.
I call this one Sanctuary. I plan to do a separate post with the background story - hopefully soon.
In the meantime, wear your mask and stay safe and healthy.
It's a rainy Monday morning. Perfect time to sit down at the computer and fill you in on the last month. As Sonja wrote last month, it's been challenging for her--working full time at home with a 5-year-old in the house. I've been helping out a little, going over for an hour or two each day to play with Tyler.
It brightens my day and certainly keeps me on my toes. I never know what to expect when I walk in the door. I've been to the hot pepper planet, saved him from hot lava and a sea of slime, been the queen of electrocution one day and the queen of comfy another. He's always in charge, I just go along for the ride. And what a ride!
On this day we were spies. He built our headquarters, complete with a one-way glass window and a key-pad entry system (using a little cash register to let you put in your pass-code).
As of today, I'm off duty again. Nick's school year is over so he's got Tyler duty for the summer. Then we'll see what the fall brings. Tyler is due to start kindergarten, but there's no definite plan yet for how or when the school year will start.
While I've been home, I've continued to work on that king-size quilt I've written about before. I am making good progress. I have 8 (of 24) "squares" already quilted and the first 5 squares stitched together for the left side of the quilt. The quilt as you go method is working out well for me. Each section presents new decisions for what to do in terms of embroidery/quilting and gives me a sense of completion when it is finished. Here are a couple of the most recently completed squares. (The number tags indicate the upper right-hand corner and the order for putting them together.)
In addition to this project, which is purely personal, I've also started a collaborative project with my sister, Sue Gilleland, and my daughter, Sonja. This project arose from an article I saw in the most recent journal from the Surface Design Association. The theme of the issue was collaboration and one of the articles was about The Wondermakers Collective. Everything about their work resonated with me. The two women, Mindy Sue Wittock and Jenna Freimuth, are from Minnesota and Wisconsin. (I grew up in Minnesota and my husband in Wisconsin.) They create these vibrant embroideries by sending the works back and forth in the mail, with each one adding to what the other has done. When I read about it, I immediately thought that it would be fun for Sonja and I to do something like that. And then a couple seconds after that I thought it would be fun to include my artist sister, who is currently living in Anchorage.
Sonja and I talked about it in one of our art nights and figured out some parameters which we proposed to Sue. She approved and we got started. Here are our "rules," such as they are:
There will be more to come on this project. We haven't finished with the first set of six, but we've already decided to keep going. No decisions yet on how long we'll do this or what we'll do with the finished ones. Main point right now is to have fun; staying connected by making art together. Both become more important with each passing day.
I hope you are also making time for fun and social connection too.
All my best,
This weekend our family theme was Silly Tickle Days. I realized since we are home pretty much all the time, we needed some way to clearly differentiate the weekends from work days for our 5 year old son, Tyler, and for me and my hubby, too. Working at home has been interesting. Try talking "professionally" about work on the phone when a kid is climbing over you. My coffee went flying on Monday because I tried to pick Tyler up off my office chair and he kicked the coffee mug while wiggling.
One of the challenges has been trying to convince Tyler that Mommy can't have playtime all the time with him. The other big challenge is attempting to convince him to get dressed and not stay in his PJs all day. Everything I try seems to be only a temporary fix - other than letting him play games on his Kindle which he will do all day (in his fuzzy monster covered PJs), if we let him.
Some days he is perfectly happy to play Legos most of the day all on his own. When he does that, he makes the best stuff. Other days the refrain is "Mommy play with me" (in a whiny voice).
So anyway today started and ended with tickle time. The weekend was also filled with random moments of silliness. Silliness creeps in other days lately, too. We've been composing our own verses to the tune of Parry Gripp's catchy "Baby Yoda (Floating in a Pod)" song. Made up verses usually revolve around our newest family member, Leo the dog. Try it, it's addicting. Warning - the song's tune will get stuck in your head! It's a super easy tune to make up words to. Here are some Leo verses for example:
Leo, Leo, wants a belly rub. Leo, Leo.
Leo, Leo, going for a walk. Leo, Leo.
For silly artwork with Tyler, we drew a monster with glasses for all three eyes. Tyler has also been putting googly eyes on everything.
Tyler also decided to take goofy photos and star in his own silly video clips using my phone today.
On top of that, some irises opened up in the garden that remind me of clowns because they have the most vibrant orange and purple colors with frilly petals like a clown's color.
Happy Silly Tickle Day!
Time to take a break from my sewing and fill you in on my progress on that king-size bed quilt I talked about in my last post. As I mentioned then, once I had settled on this project I decided to just jump right in with only the most general plan for what it was going to look like. I thought I'd share some of the fits and starts of this "figure it out as you go" process. Perhaps some of you planners would like to give it a go and what I've learned can help you. I'll try to include any details that I think might be helpful to you.
It's definitely iterative: start forward several steps; check your progress; make corrections; move forward again for a while. I've tried to check my direction often enough that I didn't end up forced into a direction I didn't want to go.
My original plan was to create random-sized squares of my random-pieced blocks and fit them together however I could. I had a bunch of blocks already made, but needed lots more. I dug out all my scraps of "blue" fabric and kept piecing. One rule for selecting fabrics was that they either "read" primarily blue or picked up on colors in the other blue patterned fabrics. A second rule was that the fabrics had to have been used in some other project; I wasn't going to use previously uncut fabrics.
The point of the second rule was to use up scraps. The unintentional result was a trip down memory lane as I pieced the blocks. I dug to the bottom of my stash and came up with fabrics I hadn't seen in years. I began thinking about where the fabric came from, what it was for, and what happened to whatever I made with it. It added another level of joy to the process.
When I am doing this random piecing, I keep a pile of scraps of various sizes on my cutting board. I try to keep them sort of "organized" with the smallest ones nearest to me and larger ones toward the back. Obviously though it's mostly a jumble. I pile in more as the pile starts to go down. I start each block with one of the smallest pieces and begin building out around the edges, sort of long cabin style. I like to start with an odd shape or a triangle, rather than a square because I am going for an irregular look. I decide what to add on where based on what fits and looks good next to the fabrics already there. I try to add on the smallest piece I can to waste as little as possible. I use narrow seams, 3/8" to 1/4." Consistency on the width is not important in this method.
After each short seam, I trim the seam allowances if need be and press the seam--usually away from the center, This is definitely not a speedy process, but I like the rhythm of it. (Also, I figure I need the exercise of getting up, walking a few steps, and sitting down again; over and over and over--especially now.)
I think you can see just from this small bit that I use a WIDE variety of fabrics. They are almost all cottons, but there are a very few silks and a few unknowns. I learned early on that when you are cutting fabric up into smallish pieces, the pattern becomes almost irrelevant. The more patterns included, the more they blend together into something new. Then it becomes fun to look at the results closely to see the elements individually.
I keep adding to the sides, trying to keep the pattern as irregular as I can until I am getting close to the size that I want. When I am within 1-2" of the dimensions I want, I begin to figure out how to square it off. I line up one of the edges, usually the longest, with the 0 line on the bottom of my cutting board and widest point with the 0 line on the side. That shows me where and how much to add. I try to square up one side/corner at a time.
As I mentioned, my original plan had been to make enough random-sized pieces to cover the bed. I'd just fit them together as I could. After creating perhaps 10 squares, I decided I should check on my plans. I did another round of laying them out on the bed to see where I was in terms of how far along I was and how hard it might be to put them together. Lucky I did. I realized that putting together bunches of random-sized blocks would be really difficult. (L seams are not impossible, but they are definitely harder and I didn't want to have to do a whole bunch.) I also realized that the final size I'd planned on (based on a google search of quilt/bed dimensions) was larger than I needed.
So I took a step back and actually made a drawing of a layout that would work. I decided on 3 basic sizes for the width of my blocks. Most of the blocks would be square, but I needed a few rectangular blocks to fill in spaces at the bottom. Once I did that, I had a clear plan of how many squares I needed and how I'd put them together. Some of the blocks that I had already made were smaller than I needed, but it was easy to add on to bring them up to size. I also had a couple that were larger than I needed. Instead of just cutting them down to size, I cut them into quarters and used them as the centers of new blocks.
So I kept piecing, and piecing, and piecing, till I covered the bed. I laid them out once again rearranging them until I was pleased with how they went together. Then I pinned numbers to the upper right corner of each block to indicate the order for sewing them together.
I bought a big piece of black cotton batting and cut backing squares from the duvet cover I am replacing. Then I had to decide about quilting it. I had already decided on using the quilt-as-you-go method, thinking to do machine quilting. I don't have a long-arm machine and the object of this project was to keep me busy. So sending it out to be quilted was out of the question. But when I got close to actually starting, I had no idea what to do. I have basically no experience with machine quilting and I began to think that any machine stitching I'd do at that point would only detract.
I mentioned my dilemma over dinner one night and my husband suggested hand quilting. I'd been resisting that idea because machine quilting would be faster and hand-quilting is always my default. The suggestion did plant a seed that maybe going to my default is okay. It's not like I have a deadline for finishing, or any other pressing project to attend to. Then, when I picked up the first square and it was decision time, the answer was obvious. I took one look at the block and had a bunch of ideas for embroidery stitches that would coordinate with and enhance various patterns in the cloth. I pulled out 8 or 10 spools of Oliver Twist hand-dyed variegated threads and got to town. Here's the first one--the full block and a detail shot. In addition to traditional quilt stitches, I've got lazy dazy, chain , stem, straight, chicken, and herringbone stitches. May be more.
Just 23 more to go! I thought about just hand stitching every other one, but I had such fun with the first, I decided to just go all the way. It'll be done when it's done.
I've found a way to make my stay-at-home time productive and enjoyable. I hope you have too. Stay well.
Everything is weird these days. No one knows what "normal" is anymore. Not that I could say that I ever felt "normal" myself. I've been attempting to focus on the little things that I am grateful for. I am grateful that as of today my family, friends, and I still have our health and livelihoods. I am grateful for the healthcare workers, the grocery and other essential store workers, and all who are trying to help everyone get through this emergency situation.
I have been painting some more watercolor cards using a circle template as a starting place. I did this one based on some mandala drawings I do any moment I can find the time. I am grateful for the color of watercolors and I enjoy the technique of flooding a tiny area with water and then dropping in the colors to see how they flow.
Many of us also now have a new perspective on toilet paper. Trying to fit some humor in, I just finished my "Ode to Toilet Paper" watercolor card. I caught myself one day getting a bit too philosophical about toilet paper. I am grateful for the trees that make toilet paper possible, the workers that help to make toilet paper in factories, the people who transport the toilet paper to the stores, and the people who sell it to us!
I am grateful for having a new house with an amazing garden which I am slowly learning to take care of. I even enjoyed weeding this weekend! This little beauty showed up in our yard. It looks like it has been splattered with watercolor paint.
I am also grateful for the extra time to spend with my son Tyler. It is challenging to have him home while working at home, but it's amazing to see some of the things he makes out of Legos.
I wish you, your family, and friends health and gratitude for the little things.
(Ann's daughter, the one that hasn't written a blog post in ages...)
I've let too much time go by since my last post again. I have to admit that I've had trouble focusing lately. Feeling at loose ends is a fairly rare thing for me, but then there's been more turmoil in the world than I've ever experienced before. First there was a base level of chaos from the Trump administration and it seemed like daily decisions that made me cringe. Then we added campaign for the Democratic nomination; so many well qualified, inspiring candidates, but so difficult to know who would have the best chance of ousting Trump. Now the pandemic is disrupting life even more - a cancelled vacation, questions about whether my niece's June wedding will go ahead as planned. My little internal pep talk tells me that my lack of focus is understandable.
Understandable yes, but I also realize that I need to focus on something to get me through this period. Thankfully, an idea came to me sometime in the night a couple of days ago. Of course,it involves art and sewing. Though I haven't made a bed-size quilt in close to 30 years, I decided to make one for our king-size bed. I figure that's a project that should keep me focused for a few weeks!!!
I've spent a good part of the last couple of months doing random piecing, using up scraps. It's my keep-me-going activity when I don't know what to do next. I made perhaps a dozen "squares" ranging in size from about 24"x24" down to 6"x6." I just kept going even though I had no idea what I'd do with them. I just knew that they'd be more usable than bins of tiny bits.
I did find a use for one of the pieces when I made banner for the tent I use for outdoor art shows.
Making that kept me focused and busy for a while. When that was finished, I wasn't ready to go back to random piecing. I kept going with handwork projects, but I have to limit how much I spend on stitching to avoid sore hands. I needed a machine-sewing project too. It was such a relief when I thought of making a big quilt.
I spent maybe an hour thinking about making one following a pattern with regular-sized blocks. I looked at a bunch of books and found a couple that I liked and could imagine working on. I even started figuring out block sizes and whether I'd do a straight or diagonal set. Pretty soon I realized that doing that much preplanning would take much of the joy out the project for me. I much prefer starting with only a vague idea of what I want to do and figuring things out as I go. I wondered if I could follow that method for this.
So...I had several of the random pieces I'd already made that were in the colors I wanted to use, some bigger, some smaller. I took them downstairs and laid them out on our bed to get an idea if I could make bunches of random sized pieces and just fit them together to make something attractive. It seemed doable. So I made some more and I looked up instructions for the "quilt-as-you-go" method to see if it would be feasible for me to do machine quilting . It did, so now I had enough of a plan to commit to it. Yesterday I ordered the batting. This morning I did one more test layout to see if I could incorporate the 2" fabric strips my son gave me for Christmas as lattice between the "squares."
It's pretty crazy, but honestly I'm having a ball with it. I know the look will settle down more as I rearrange and add to it and when I am finished it will be a quilt full of memories. I'll keep you posted. Now I am going to piece some more.
2020 is off to a good start for me personally. I have completed two artworks that I will drop off at the Williamsburg Contemporary Art Center tomorrow. Along with my Seeking Truth (described in a previous blog), they will be part of a special exhibit of works from the artists who won awards in their annual members show last year. I was fortunate enough to get third place in that show for my Ode to Maria. (Read about that here.) So not only did I receive a nice check then, I am able to display three more works in the current show. Here they are:
Though times are well in my little bit of the world, the larger world seems to be getting ever more chaotic. As I've said many times, creating art is one of the ways I try to keep the chaos at bay, keep calm, and bring a little joy to the world. I've called these recent works Slowing Time because that's what they help me do. Working on them forces me to concentrate on the current moment and let go of the things roiling around me. I stitch as much as I want to without worrying about how long it will take or whether I'll meet some deadline. I just keep going till I think I'm satisfied that every part of the design that needs stitching has it. As you can see in the detail photos below, I kept going for a long time on these.
I stitched on the background first, then I added the skeleton leaves and stitched some more. The skeleton leaves have been fused down, but I still like to stitch over them for added texture as well as making sure they are securely attached.
As an aside, you may have noticed that I've used skeleton leaves in many of my recent works. They are symbolic of my love of trees, my concerns for our planet and my hopes that we can get our priorities straight before it's too late. Let's keep working on that.
This has been a crazy month. Those who know me well know that I like to do lots of baking during the holiday season. I have many family cookie recipes that I trot out, making as many as I can. This year that tradition went by the wayside. As I was about to begin baking in earnest, my mother-in-law died. The next day Jim and I headed to Wisconsin to help his sister with all the arrangements. We got home two days before we were to celebrate our family Christmas. So things were a little different this year, but it wasn't a sad Christmas by any means.
Vivian Lee would have been 100 years old next May. Though she had become very frail the last few years, she'd still had her faculties and some level of independence until very recently. Thankfully she didn't linger too long after she was not able to be up and about and she had a peaceful end.
When you lose someone, you naturally think back on their lives and the gifts they have given you over the years. Vivian gave me two things that changed the course of my life. Many of you have heard me tell these stories, but I don't think I've ever written them down. I feel compelled to do so now as my year-end tribute to her.
First, I give credit to Vivian for my interest in quilting. Though I had sewn and done needlework since childhood, I'd never tried quilting until Vivian gave me a couple of quilts that her mother had started and never finished. This was perhaps 40 years ago. One of them was a double-bed-sized hand-pieced Grandmother's Flower Garden. The other was a set of 20 machine-pieced eight-pointed stars. I was honored by the gift and felt compelled to do something with them.
I decided to start with the flower garden, since it "just" needed backing and quilting. It didn't need to be pieced together. Since it had been pieced by hand, I thought it should be quilted by hand too. To be honest, I started it mostly out of a sense of duty. I thought the quilting process would be deadly boring. Famous last words. Though I didn't do anything imaginative with the quilting pattern, I just outlined the circles, I found the stitching immensely soothing and satisfying. When that one was finished, I pieced together the eight-pointed stars (by machine) and then went crazy hand quilting it. I was hooked. Not only was the stitching calming, I saw that quilting was a type of sewing that I could be creative with, and I haven't stopped. I was intrigued by the way you could put all these disparate fabrics together to make something totally new. I also loved the texture and dimension the quilting stitches added. I am still intrigued with those things.
Here are those first two quilts. Many memories in them. When Vivian would look at them, she'd point out various fabrics she remembered--ones from old dresses she'd had for example. So special. Of course they also contain my own memories as well.
We used the Grandmother's Flower Garden quilt on our bed at our house in Maine until it started to come apart. Even then I couldn't just get rid of it. After spending a good while in a future project bin, I decided that Vivian's upcoming 90th birthday was a good reason to dig it out again. I cut it apart, saving the sections without holes in them. I stitched some of them back together again and added some embroidery to create "Revisiting Grandmother's Flower Garden" for a birthday gift for her. The stitching tells the story of her gift to me and what it meant to me.
We brought it back from Wisconsin with us. Now it hangs in my kitchen reminding me of her and her gift.
Several years later, more pieces of the original quilt made their way into another quilt I called "Keep the Old." It was made for a joint exhibit with my daughter Sonja. The show's theme of Wabi Sabi--a Japanese concept of making something old new and beautiful--seemed perfect for using those pieces. Here's that one.
The other big thing for which Vivian deserves credit is bringing me back to the violin. This happened much later, but still, probably 25 years ago. This time, she'd found her father's violin. She called to see if my son Peter was interested in learning to play it. He was intrigued so she sent it to him.
I had played my grandmother's violin in elementary and high school. I quit after the 11th grade so I could sing in the choir instead. All the adults in my family tried to talk me out of quitting, saying I'd regret it some day, but I was adamant. I could not imagine ever going back to it. More famous last words.
When Peter decided to try the violin, I thought it might be fun to take lessons with him. We could learn together. So I ate my words again and we started lessons. To my surprise I really enjoyed playing again and though I've had a couple of pretty long breaks from it, I've stuck with it even though Peter no longer plays. I have my own violin and am currently taking lessons in Scottish fiddling. I play with the Williamsburg Strathspey and Reel Society which meets a couple of times a month. It's a great bunch of people and so much fun to play with others.
So as I reflect back on 2019 and the loss of my mother-in-law, it is with great happiness and gratefulness. Vivian's gifts have brought me such joy and satisfaction. I hope that you also have as much satisfaction and joy in your lives. Happy New Year and best wishes for 2020.
Mother & daughter, Ann Lee & Sonja Lee-Austin share their joys and struggles in their art and lives.